We’d
bought the last tickets for the concert and our seats were in the back row. The
program didn’t matter. This was Amsterdam’s Concertgebouw hall famous for its
unparalleled acoustics. At first, all I could do was marvel at the splendor of
the concert hall. Teardrop chandeliers sparkled throughout, illuminating the
high-ceilinged, rectangular space. Red upholstery, rugs and curtains contrasted
beautifully with the decorated pale beige walls and gilded pillars.
When the conductor raised his hands
and the musicians readied their instruments, the chandeliers were slightly
dimmed, leaving the hall in a glittering tenuous light. And the music. Oh, the
music. It soared and rose, taking me with it, transporting me to a place of
light and beauty.
Afterwards, I regretted we hadn’t remembered
a program. With my mind brimming with travel impressions, I couldn’t
remember the name or the composer of the violin concert that had cast its spell
over me.
Today,
two years later, I turn up the volume on our kitchen radio. A magnificent
violin concert strikes a chord within me, but I’m at a loss to identify it. The
notes penetrate my core, triggering a sense of splendor and euphoria within.
Why is this concert so familiar?
At the end of the piece, the
announcer identifies the orchestra as Amsterdam’s Royal Concertgebouw and the
piece as Mendelssohn’s Violin Concerto in E minor, Opus. 64. Suddenly, I know
why the concerto is familiar and moves me so.
I’ve recovered something precious that I’d
thought lost to me.
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