St. Francis’ Garden
It was probably the hottest day of
the year yesterday – over 90 degrees and definitely hotter along the sizzling
sidewalk of the Alameda, downtown Santiago’s main artery at 4 o’clock in the
afternoon. I had considered postponing my appointment, but, no, Franciscan
Brother Jaime and I had each reconfirmed twice that we’d meet at this hour at
the museum of the old seventeenth century San Francisco Church.
It
was dark and wonderfully cool inside the museum’s thick adobe walls, hung with
large colonial religious paintings. Why did colonial artists paint their scenes
in such lugubrious colors? A young guide directed me to Brother Jaime’s office
in a corridor bordering a central garden, where he met me at the door with the
traditional Chilean peck on the cheek, though we hadn’t met before. I had
expected him to be clad in the brown Franciscan habit, but instead, I was met by
a young man in tee shirt, chinos and sandals. He led me to a table where he sat
at his laptop. The walls around us were lined with bookshelves, paintings and a
couple of Christmas stockings.
“Are
you satisfied with the contract?” he asked.
I said it was fine,
pulling out my copy which conceded me the rights to quote in my upcoming memoir
some words of Gabriela Mistral, Chile’s Nobel poetess. In her will, Gabriela
left rights over her works and all her property to Chile’s Franciscan
Congregation.
We each signed our copies.
Just then a strident squawk sounded in garden.
“Was that a peacock?”
He smiled. “Yes, and the
female is perched on some eggs. We also have exotic chickens and a pond with
fish and a turtle. Down the hall is a small room dedicated to Gabriela and you
can see her Nobel medal.”
I thanked him and said I
thought I’d go enjoy the garden for a while.
I stepped out into the
heat, although tall old trees provided welcome shade. A gnarled cork tree
looked to have been planted there by the original monks. There was the peacock,
an elegant queen on her ground-level nest. I peeked into Gabriela’s room,
admired her Nobel medal and then headed to the wide, round fountain with water
spilling in the center. I sat on a bench, where a small mud-colored cat joined me.
I stroked its head and wondered how he was allowed to wander freely in this
garden, populated by doves, chickens and peacocks. When he jumped up onto the
edge of the fountain, I thought, Oh-oh. The fish! But all he wanted was to
drink some water. That assortment of animals living in harmony seemed so
appropriate for that church and monastery named in honor of St. Francis.
I had
a view across the garden to the opposite corridor and the second floor, the
monastery corridors forming a square enclosing the garden. Above the roof, in
the distance, rose a glass skyscraper, tapering into a needle tip. The roar of
revving engines of busses passing on the Alameda carried over the adobe walls. I
tried to imagine what life had been like for the monks who first planted these
trees, which now, centuries later, provide me with a shady oasis of serenity.
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